The Golden Road (To Unlimited Devotion) 2. Beat It On Down The Line 3. Good Morning Little School Girl (Full Length Version) 4. Cold Rain And Snow 5. Sitting On Top Of The World (Full Length Version) 6. Cream Puff War (Full Length Version) 7.

Morning Dew (Full Length Version) 8. New, New Minglewood Blues (Full Length Version) 9. Viola Lee Blues 10. Millionaire 11.

Grateful Dead - Blues For Allah (1. Sabriel Garth Nix Epub Bud. Download from 2. Grateful Dead - Blues For Allah (1. The disc was likewise the third to be issued on their.

Overseas Stomp (The Lindy) 12. Death Don't Have No Mercy 14. Viola Lee Blues (Edited Version) 15. Viola Lee Blues (Live).

I'm a soundboard snob, but this Aud does a good job of capturing both show & crowd. The Banter is quite interesting.

In response to another reviewer's posting, I thought it was a little strange that the someone in the crowd wouldn't want to hear Eyes of the World. Traktor Scratch Pro 2 Download Torrent. After listening w/ headphones, it appears that the coversation was by a Taper himself wanting a short song before Peggy because he only had about 10 min of tape left & his batteries were in need of a change.

Another Taper (maybe Rob?) agreed to the same problem. The tape cuts right after Peggy just making it.

Right after & before MAMU, it sounds as if the same mic holder is being complained to by a guy (in front) of him for sliding his equipment up too far. As far as the music, isn't that Donna that joins late in SSDD ~7:00? And the best part of hearing this show, when I listen to Blues for Allah ~1:10-3:20, I'm reminded of the melody of what would eventually become the instrumental part of Terrapin, At a Siding, as in the Outtakes of 2-20-77, although not as masterful.

So it looks like this little played song was not just left behind entirely, but built upon. I wonder if anyone else hears this? There are two things that I really love about this tape and this show. For a mid 70's aud tape, it's dub. This show really captures that feeling that went out of Dead shows about thetime the Brent era started. (Don't get me wrong, Brent was OK.) There is a real sense in this era that the fellas are challenging themselves to be better and tat they are truly earnest about their musicianship. They ripped a few monsters in this time, like the unbeleivable Cornell '77 Dew that puts virtually every other rock band on the planet out in Jerry's ashtray.

(btw: Major thanks to Dan for the matrix post elsewhere on this server.) Blah blah blah, I especially like the intro. Some people liked to dis Uncle Bobo, but without him there would be no us, (to paraphrase Miles). I really f**king miss Jerry. It is so bittersweet to listen to this stuff. They only did a scant handful of shows in 75, but every one had Blues for Allah and Stronger than Dirt. Why they stopped playing those two pieces is beyond me, and 'pieces' describes them better than 'songs' - they're true compositions, albeit with lots of room for jamming.

I guess with Jerry getting more and more hooked on rat, they didn't keep up the rehearsals. It seems a sad pattern with them - they dropped The Eleven and New Potato Caboose in 69, dropped Blues for Allah and Stronger than Dirt after 75, didn't play Help>Slip during 86-88, didn't play Lazy Lightning after 84, and didn't break out the Chain until Jerry was on death's door. All the most challenging (and some of the most satisfying) material was left unplayed for long stretches.

So, oh well, we only have 4 live performances of Blues for Allah and Stronger Than Dirt. I highly recommend getting, or at least streaming, them all.

This recording is very good sound quality outside of a few brief dropouts. The performance of Blues>Drums>Dirt>Blues is stellar, as is the long Slipknot!, which got severely truncated on most of the 90's versions. Let's not overlook the Dirt. I remember that summer. I was 13 living in Montana and knew nothing of the Dead except for Uncle John's and Truckin' which happened to be on an 8-Track my dad bought called Superstars of the 70's. Anyway, on PBS there was this special about the Grateful Dead, and how they were on hiatus, or maybe calling it quits, with interviews and concert footage.

This boy was intrigued, let me tell you. And then Jerry's on the screen and he smiles and says something like they'll never really call it quits: 'We're music junkies, man!' That stuck in my head for some reason. It wasn't 'til '77 that I would get my butt to a show. But this is indeed a pivotal show, and it makes me wonder. All that Blues for Allah stuff, and the creation of some serious space jazz. But then Sugar Mag and US Blues kind of let you know that they're not gonna dig too deep for too long.